IZUMI Frederiksberg

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Date: November 2018 Location: Frederiksberg, Denmark Area: 200m2 Function: Restaurant Status: Built Collaborator: mok architects, Helene Christina Pedersen (Wall artwork) Client: IZUMI Aps

IZUMI Frederiksberg is the second interior project for the restaurant IZUMI in Copenhagen. IZUMI is a restaurant group serving “Nordic-twisted” Japanese cuisine, with several locations across Greater Copenhagen. As part of a broader rebranding, the project was commissioned to develop a spatial identity that expresses the concept of the restaurant. The design translates IZUMI’s manifesto into a spatial experience by reinterpreting Japanese architectural elements through a Scandinavian lens, creating a calibrated balance between the two cultural references.

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Japan and the Nordic region share a long history of cultural exchange, particularly within design. Many Nordic design traditions draw from Japanese principles, while developing distinct expressions rooted in their own context. The project builds on this shared lineage, identifying it as a basis for articulating IZUMI’s identity. This approach also reflects the studio’s position, led by Japanese architects working within a Scandinavian context. The design strategy brings Japanese spatial principles into dialogue with Nordic material and craft traditions. Rather than juxtaposing references, the project works through their underlying logics to establish a coherent spatial language. Japanese spatial order is adapted to a Scandinavian setting, while Nordic elements influenced by Japanese design are reinterpreted. At the centre of the space, curved timber panels define the show kitchen as a focal element. Their modular system is derived from traditional Japanese dimensional frameworks, echoing proportions found in tatami-based planning. The material, however, is Scandinavian oak, widely used in Nordic craftsmanship. The panels are gently curved, drawing from techniques associated with steam-bent furniture in the region. Through these operations, the interior forms a continuous dialogue between Japanese and Nordic sensibilities. The space expresses this relationship through proportion, material, and form, presenting a unified environment rather than a combination of separate references. The project aims to establish a renewed mode of interaction between the two cultures, grounded in careful observation and articulated through a restrained architectural language.

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